Lethal Bonds

Kgalagadi Transfrontier Park, South Africa. Dec 2015.
Hahnemühle Fineart Photorag. Diasec mounted.

At a waterhole under the shade of an old acacia tree in Southern Africa’s Kalahari, three lions weave heads in a bonding display. The gentle social interactions among the fiercest of species beautifully portray the tapestry of life’s connections in the wilderness.

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“The forest is not a strange place; I was born in the forest. When I am alone in the forest, I am not alone.” This Kenyan saying reflects this bond, reminding us that Nature’s pure honesty mirrors our true selves, and my work seeks to echo the San Bushman’s words: ‘We Are From Nature.’ This belief emphasizes our responsibility to protect our natural world. In Africa, power and identity are deeply linked to wildlife. Animals bear spiritual significance in many African cultures, shaping stories, rituals, and societies. Through photography, I celebrate these iconic species and conservation successes. Conservation itself grapples with power and identity issues. Western approaches have marginalized local communities, straining relations and challenging autonomy. In contrast, modern inclusive conservation models honor local customs and communities, recognizing the intricate connection between people, wildlife, and identity. Preserving biodiversity extends beyond animals; it safeguards cultural heritage.

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Lethal Bonds